If Akira Kurosawa's dreams would I have shot the Kitano, it would. It becomes a parody of itself, a critique of everything around him. The protagonists are two, but while three (blessed surrealism). On the one hand
Beat Takeshi (same name with which he signs), an actor of great fame.
On the other hand, a poor shopkeeper who aspires to a secondary role, called Takeshi Kitano .
Then there is a third character, which is the the unfortunate image is the winner.
scenes are great (especially the end).
There are spoofs of his violent vein.
There are spoofs of his surrealism.
And at the end of her, one is left wondering if Takeshi Kitano (aka Beat Takeshi) not to commit suicide soon, because it shows a gap around the world where it seems that nothing and nobody can fill.
Even in the final moments of "redemption" crazy, "Surrealism" is melancholy and abandonment, a sense of dislocation. Vacuum.
There are great scenes, like the DJ by scratching with a woman's chest, the black of a flashlight in the head, the bodies on the road ... And There are scenes parodied (or not) of choreographed violence.
Rating: 9
Beat Takeshi (same name with which he signs), an actor of great fame.
On the other hand, a poor shopkeeper who aspires to a secondary role, called Takeshi Kitano .
Then there is a third character, which is the the unfortunate image is the winner.
scenes are great (especially the end).
There are spoofs of his violent vein.
There are spoofs of his surrealism.
And at the end of her, one is left wondering if Takeshi Kitano (aka Beat Takeshi) not to commit suicide soon, because it shows a gap around the world where it seems that nothing and nobody can fill.
Even in the final moments of "redemption" crazy, "Surrealism" is melancholy and abandonment, a sense of dislocation. Vacuum.
There are great scenes, like the DJ by scratching with a woman's chest, the black of a flashlight in the head, the bodies on the road ... And There are scenes parodied (or not) of choreographed violence.
Rating: 9
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