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Theorem. Pasolini. Contestant

A cult movie, a reference, a totem in the history of cinema. The other day I went to see Theorem because it was an outstanding bill (of many I have) with the history of cinema. The synopsis, according cinefagia is:

" Milan A wealthy family received a telegram which includes only two words:" Arrival domani "(tomorrow I get ). The next day, visited by a boy with no further explanation is installed in the home as a member of the family. This premise, that other directors have used to create horror stories or to satirize the customs of his time, Pasolini serves as a starting point to create one of the masterpieces of religious films.

For those who have not had a chance to see Theorem, the argument is as follows. The visitor (Terence Stamp) accompanies the family in their daily activities and awakens desires that they did not seem to exist. Gradually the boy physically and emotionally seduce everyone, including the maid. It does not selfishly. Rather, it is precisely his ability to love without expecting anything in return for making all family members delivered to him. All goes happily until a new message indicates that your host must go.

The absence causes several reactions. The maid (Laura Betti) returns to his village to work miracles. The son (Andrés José Cruz Soublette) used to evoke the art is gone. The daughter (Anne Wiazemsky) falls into a kind of trance that it has lost. The mother (Silvana Mangano) walks the streets looking for young people that remind the absent and the agonizingly seductive. The father (Massimo Girotti) gives his factory workers and stripped of all material possessions, including clothing, to stop wandering in the desert . "

NOTE: FROM HERE COMES BECAUSE SOME SPOILER REFERENCES ARE A KEY SCENES AND THE END OF EACH CHARACTER

With this approach, the film promises a lot and what happens is that then all of Pier Paolo Pasolini parable falls by the wayside. The problem is that the parable is as hollow and empty where there is no catch.

The staging is remarkable. There are plastic rather than a succession of sequences in which each character separately creates its interpretation of what would be his divine contact with the protagonist, a great Terence Stamp. The question is therefore what would happen if God came into our lives to make us happy and give us hope.

The question, which a priori could unleash a bizarre plot by all the variants that could occur, Pasolini wasted allegedly leaving a void that has to interpret the viewer. Thus, the idea has to be in us is that the bourgeoisie are not able to be happy, because after his meeting with the joy given by the demiurge does not survive the encounter (each of the characters in the family suffers evils one more strange). While the mother (a brilliant Silvana Mangano) is given to the search for love through sex with strangers without any object, and in that pursuit of happiness is only momentary pleasure, the father broke with their corporate responsibilities so high and yet which implies money away from the world, desposeyéndose all, including their clothes, ending in a raging volcano naked and without direction.

the couple's children suffer from the misunderstanding of the meeting and see no life beyond. Therefore, the child enters an extreme catatonia and is committed to a mental hospital, while the child is unable to develop their true personality (who discovers his homosexuality seems to know the unknown).

The character that really makes a contrast to this decline is the servant who, not being matched by the stranger attempts suicide, but he avoided to mess with it later. When the stranger leaves, she escapes to his hometown and, after a period of mystical ecstasy and fasting, starts to levitate and make miracles. That is, the maid is the only one that uses the encounter with God to do good, because I understand. By contrast, the bourgeois, alienated and living dead as they are, are incapable of understanding the importance of meeting and finding no happiness in the presence of the unknown when it is gone, self-destruct.

this is probably why, along with some of Buñuel, the greatest moral fable for the communist ideology. Furniture is so great Italian left, in view of what it means, does not explain why your God, giver of happiness as it is, Terence Stamp a handsome, young and beautiful, which only strives to bring happiness without any compromise in an act of hope for humanity. And this sobering excuse to differentiate who is able to leverage the greatest gift.

The problem is that the film is boring. While promising start, with private meetings between the unknown and each character, then everything falls into sequences ornamental border on mental straw art of Mr. Pasolini.

Of Pasolini would have much to tell: his ideas, his death, his homosexuality, his time ... But his poetry is remarkable. Here I copy a short poem:

ANALYSIS LATE

I know well, know well that I am at the bottom of the pit;
that everything I've touched touched;
I am a prisoner of an interest indecent
each nursing is a relapse;
the waters are stagnant and everything tastes like old,
humor also is part of the immovable block;
not do anything but cut it back to the old;
not even attempt to acknowledge who I am, I lost
to the old goldsmith patience;
that old age brings out only the miseries of impatience;
will not be leaving here more than ever to smile;
I take turns back and forth across the land like a caged beast,
that I have so many strings that I ended up pulling one;
because I like muddy clay is material and therefore poor
both pure
I love the light only if it offers no hope. ***

I think, in short, that is very overrated and that the case of films on religious themes, in the end I prefer the golden age or Simon of the Desert, both of Buñuel, or Dies Dreyer Irae, because they are not so transcendent pointless and have stronger frames.

VALUATION: 6

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1968. Rodrigo Cortés. 2007

Martin is a young Argentine who lives and works in Spain for years. Is Professor of Economic History at the University, and "fortunately", after participating in a televised competition wins the largest prize in history, three million in assets.

With this basic approach, the film starts Rodrigo Cortez, a thirty-long rookie, who dares to make a very personal film for what is meant here by debut. Before that, a few short I guarantee ( Within , 15 days, The Callao 150 meters).

The film itself has of actor Leonardo Sbaraglia complete, and a small supporting cast among them a Chete Lera and Fernando Cayo proud in their histrionic roles.

Technically, the film is a somersault with twist included. Anything. There are moments when music and the camera refer to Guy Ritchie in Snatch , other planes remember moments Fincher in Fight Club , and even the latter's pedantry when the character stops talking to the camera, instructing the viewer. Cortes

allows even parody The Seventh Seal Bergman of applying moral examples, in the end, reload the film. But it is something we should forgive. Going

theme of the movie, there's talk of money, luck and the lack thereof. Of how an ordinary man, as anyone who aspires to be rich and live well, that privilege is given misleading and that it leads to an irreversible downward spiral of mistakes and failures, to a destruction told from the first frame.

In the middle is a debate that constantly shows the viewer, in which the characters turn and talk to the camera, and the economic system of slavery.

banking as perfect idea for shared debt and the establishment of the false belief in a money that does not exist and never has been, is what we are told that spins the wheel of the socioeconomic system in which we live.

and criticism arises from the negligence. The false belief that democracy is the least bad of systems, and that if what we have now is because the most exalted minds throughout the history of humanity, is what has given valid. And it may perhaps not be so. Because

impersonal system which provides debt with the system itself and not with a group of people, a being, or something tangible, is a perverse and immoral for the individual. And the worst thing that arises from tacit acceptance of the mass, which provides for their happiness in consumption patterns.

why the film, despite technically being pedantic and cumbersome, and tell a story that, after all can be a simple story about something that never before had anyone dared to speak so shamelessly, that there something wrong.

Martin, in a moment of the film, explains that among the poor and the rich the difference is because the poor believe that money makes happiness, and instead the rich, they know that Money makes happiness.

And not without reason.

Rating: 7

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Takeshis. " Takeshi Kitano. 2005

If Akira Kurosawa's dreams would I have shot the Kitano, it would.

It becomes a parody of itself, a critique of everything around him. The protagonists are two, but while three (blessed surrealism). On the one hand
Beat Takeshi (same name with which he signs), an actor of great fame.
On the other hand, a poor shopkeeper who aspires to a secondary role, called Takeshi Kitano .
Then there is a third character, which is the the unfortunate image is the winner.

scenes are great (especially the end).
There are spoofs of his violent vein.
There are spoofs of his surrealism.
And at the end of her, one is left wondering if Takeshi Kitano (aka Beat Takeshi) not to commit suicide soon, because it shows a gap around the world where it seems that nothing and nobody can fill.
Even in the final moments of "redemption" crazy, "Surrealism" is melancholy and abandonment, a sense of dislocation. Vacuum.

There are great scenes, like the DJ by scratching with a woman's chest, the black of a flashlight in the head, the bodies on the road ... And There are scenes parodied (or not) of choreographed violence.


Rating: 9

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The Rumble. Francis Ford Coppola. 1983

Since it is very pretty pictures and I will say only that it's almost as if Mickey Rourke was the reincarnation of James Dean (the best role he has done in his life.) Matt Dillon makes his brother, whom you imitate, and Dennis Hopper also appears making their father. If this is added a post-adolescent Nicholas Cage and toupee, as it leaves a film of bands that curious. Nice to see, with a touch bestial about maladjustment, and many, many details.

Poor Rusty James ...

Rating: 8

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Into Great Silence. Philip Gröning. 2006

Into Great Silence is a documentary filmed for a couple of years (the director asked permission to the Order of Carthusians and told him yes 20 years later) about life in the Swiss monastery of the Carthusian order, which is possibly the oldest (the western world) who still live in the cloistered monks.

The film is long, are almost 3 hours of silence, pure and simple. Only hear the sounds of a in which almost no noise. It shows the everyday life of the monks, cutting each other's hair, eating, praying, hiking up the mountain (there should be one day a year in which the luxury of talking and laughing, etc.).

When one sees this movie knows what is stated in the same way that if you drink a double shot of Stroh, vomit instantly. This movie is to love or hate. It's like watching a piece of life but without all the paraphernalia that surrounds us. It's like watching Big Brother with dignity, because those who come here do not speak, do not talk nonsense, and smile with happiness as he does not expect things in life, as if they were REALLY happy doing what they do (and what not do). That is exciting to see these monks. Your happiness is hypnotic. After seeing the documentary is as if you had done to reflect on the passage of time.

Do you remember those images to still camera where you see a landscape progress from day to night in seconds? For here the landscape is not progressing, but we who are going to 500x.

Look at the pictures below, a few seconds to think what they suggest (all together and separately) and then decide whether to see Into Great Silence or not.

Recommendation : use as reference The Quince Tree Sun (1992), by Victor Erice .

Rating: 9

Personal Invitation Engagement

I walk the line. John Frankenheimer. The

Title in Spain is I Walk the Line, another infamous adaptation.

John Frankenheimer is the father of the action. Every time I think Train (1964) goes a shiver down my back and I come to mind my flirtations with the Commandos 1, 1.5, 2 and 3. And something happens to me also Birdman of Alcatraz, that man (Burt Lancaster again) who raised canaries to destabilize the system. Here are some examples.

In 1970, approached the bitterness of the psychedelic 60s, and then comes to Johnny Cash is the soul of this film. And it is not because the star in it because their songs (which is named after the main film) helps greatly to Gregory Peck parco to show their feelings.

The story is about a timid and sad sheriff who falls for a girl, the daughter of a moonshine maker. From there, everything is degenerating into a traumatic consequences. Things are not what they seem. Traps few, the family, leaving everything on a whim, love, heartbreak, righteousness ...

technical assessments must speak of beautiful tracking shots, changes of pace and a beautiful combination of flat parties where near-far focusing and different characters are shaped to accommodate all sides during a conversation that tense.

regular actors, very imposts on Tuesday Weld way the girl. The other half and half. Gregory Peck excellent, with the coarseness and rudeness, their presence and gestures hard to face that make you doubt about the verdict that divided his hand on your face.

Overall, I had created more expectations on the film. I thought it would be more violent, with more action, and has proven to be a drama to use, on the struggle of man against his routine life gray. The first half hour I found boring and slow, heavy, then go slowly entertaining. Lasts an hour and a half, but it could have lasted 70 minutes.


rating: 6

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1970 election. Troy Duffy. 1999

original title The Boondock Saints, the film becomes something of a moral interpretation of what is to be social justice. We come to give an idea of \u200b\u200bwhat most people think about the good, the bad and the solution to the latter. Two types

kill the bad guys because their moral convictions (some males ultrarreligiosos) so require.

types in question are Sean Patrick Flanery (I've only seen his role in the Masters of Horror 1, Carpenter) and Billy Connolly. And Willem Dafoe making out gay detective (best bed scene with a young Adonis, where there is so much chemistry that seems a sequence shot by José Luis Moreno).

A peculiar thing appears in a supporting role Ron Jeremy (the famous porn star) by the Italian mafia evil.

With these overtones, and one can imagine that the tape is not very dignified.

some scenes appear
choreographed action with camera rotations that make one dizzy, and above all an aesthetic telefilm you devouring the innards from the inside. Moreover, making the effort to try to mentally visualize this film, I can not. No where to take bent expressions.

There graces have nothing of grace, since they are based on mere repetitions of "fuck" and shows of toughness "those bastards will pay lol.

The strong point here is religion. They say fighting a mission from God expressly commanded by God. That is where lies the joke of the matter because, before killing her victims evil, they released a string biblical and open fire. What is not realized is that the Pulp Fiction director has seen many people, and doing so in a mediocre film like, does it become even more mediocre.

the end, after the murder of the villain, the press is responsible for asking the wrong people about the attitude of the protagonists. No surprise to you the use of that resource (and rigged so mean) when we all know the American belief in an eye for an eye.

Rating: 3

Before After Tiffany Towers

What do you know? Several directors. 2004

The English title was What the bleep do we know? that comes to be something like What the fuck know, but the English title is more ambiguous and makes a challenge. The approach is this: Since no one knows anything about quantum physics, we treat the viewer like an idiot and we sell the bike .

say that this film could go through infomercials fill between flexion and flexion of Chuck Norris, because it is a self-help manual . Its special effects are pathetic to the point you wish that I had not. The chroma used in interviews to "scientists" are laughable (imagine a bright funds rate to roll messianic ). The story told is disjointed and no more than a mere stupid story about a woman in her forties who not find your site, and begins to see reality in a "different" because of the phenomena quantum learning taking place (double realities, parallel worlds ... That's all.)
whole story is seasoned with comments supposedly scientific character and versed in quantum physics and its properties.

As documentary false documentary or didactic fiction documentary is pathetic. I would not know whether to give a zero or to appeal the ban, but to some extent, what happened. If there are people who buy the stuff in Chuck Norris or the snail to make your skin more fresh, there will also audiences to see this kind of thing (I've swallowed whole), I think. The problem is people who see this enchanted . These are some poor naive horoscope, horoscopes and tarot cards. You deduce the corollaries.

As I said, to some extent I do not mind this, but not otherwise. When you're physical and they talk about physics, wait a accuracy. It's like when you laugh at Punset doubling its cloying voice to characters of our times as great Gribbin, Sacks or Penrose while trivia question. The real problem is that this is deceive, dupe, dupe people, those who know nothing about quantum physics and believe that what is shown here is an informative view of it. Far from it.

not count anything. Nothing, I repeat. No single concept of quantum physics . Going further say that no single concept of Physics . Only parallel stories, time travel and stuff. The guys who talk, always cite references to God or religious make . This is when an ignorant person would say for the tape! Rewind ... "That guy has said that" through string theory will have a clear view of Creation? Thus, pronounced with a capital outstanding.

What pisses me off is that anyone who sees this, it is created.


DATA

I must say that in the documentary comes a woman who is denoted as Grand Master of the School of Illumination Ramtha, who is the producer this travesty, and speaks religion. That woman is the leader of a sect behind all this. When you Google original title (What the bleep do we know) the first reference is the website of the sect called Ramtha School of Enlightenment . This woman says she channels the spirit of a Neanderthal than 35,000 years ago conquered Atlantis. The Neanderthal is going in handy.

Look what it's their ideology

The Ramtha School of Enlightenment (RSE), students learn:

• science that explains God.
  
• techniques to manifest dreams into reality.
  
• of how emotions are an obstacle to spiritual growth. Changing
  
• personal reality.
  
• How to become a teacher and fulfill the destiny.

These videos will be presented introductory lectures translated into English. Ramtha will meet, learn about the school, and receive details about the upcoming Retirement Beginners to be held in your area.

Now I will not explain what really is quantum physics. Just say a few things.

In 1900 Max Planck a theory that accounts for the behavior, hitherto unexplained, black body (an ideal body radiation). Thus, quantum theory , at first, a theory of radiation (energy) . Later in 1905, Einstein saw the application of this to other things and be able to explain phenomena such as photoelectric effect and the specific heat solids. From quantum ideas, Einstein developed his theory of relativity , having the full version in 1915. general relativity can be described roughly as a fuller version of the theory of gravitation Newton . New ideas
quantum Einstein, spacetime realize the only thing a . Since then, there is talk of space and time as different things, but as a kind of table in which all things happen. The properties that Einstein described for this structure are many and varied, including being spacetime deformation on the mass of the objects involved in the incident and also in terms of speed . So, some very "big" (stars, galaxies) or too fast (which is to have a speed approaching that of light, 300,000 km / sec) will be deformed and altered the structure of spacetime. This is well demonstrated and is not science fiction.
Example: if we had a spaceship that could travel at the speed of light, and we traveled to the star Alpha Centauri, which is 4 light years away, and tardásemos about 8 years and go back to it, when we had returned to Earth, this would last many more years, perhaps hundreds, over the years in our ship. This is the famous twin paradox ):

In 1926 Heisenberg and Schrödinger perform a new mathematical formulation for the classical mechanics of the previous two centuries. Each gives two views equivalents, which are applied Planck's revolutionary ideas. The result was a theory probabilistic mechanics, which accounts for what happens at the microscopic level. Thus, throughout the twentieth century, developed in the detailed explanation of the behavior of atoms , the links between them, and even atomic nuclei and their operation. All thanks to quantum mechanics . The application of this is what has allowed the development of new materials or devices such as lasers. In 2000, a study saying that 40% of U.S. GDP was directly related to applications of quantum mechanics.

Like any mathematical theory, when applied probabilistically, phenomena arise, macro level (our size) can not occur .
For example, an electron (particle / wave) is launched against a potential barrier (which would be a kind of impenetrable wall. A septum we), has a non-zero probability (very small) cross the barrier because it allows a probabilistic theory. Ie on a microscopic scale, can walk through walls (better to say it is possible).
But that, to extend to daily life as a microscopic theory, is like going to a cafe to take a skewer and pay with a supernova . For that, it makes no sense .


But talking to people and let things flipando quantum parallel worlds, to serve, because these people are lining and the mass is showing their ignorance and lack of discretion.

Worst of all, you have to be outraged and stand against this, when you do not deserve not even the slightest attention .

Whenever someone comes to me asking if I've seen this documentary, I smile and I think you loose the roll educational or just say it's a shit . At the end they always loose the roll, because I am angry and because physics is what you have, you become a person committed to giving explanations.


Always giving explanations ...



Rating: -10

Note: this is the only negative. Serve exception.

Was Heißt H-fissur

Bubble. Steven Soderbergh. 2006

73 minutes in Mr. Soderbergh, who has done everything in Hollywood, marks an awesome movie that leaves you shaking independent.
history is a minimum, which occurs in Middle America (West Virginia), in a very poor area where people live in caravans and hardly see anyone walking down the street.
In this scenario, there are three characters, co-workers in a toy factory: two are friends first, a woman and a young fifties, twenties, both lonely. While the third is a twentysomething with a daughter who breaks this strange friendship.
The story is complex as we move forward, because routines are so frugal that make us think about the true meaning of life and the pursuit of happiness.

whole movie is a slow succession of still shots too cold, not very long, with a wide open landscape in transition zones. Everything is very simple
aesthetically and dialogue are fair, adapt to the daily lives of the characters. There is irony, or wit, or profanities ... Only one Have you finished? We will smoke a cigarette outside, etc.
Even in the performance of the detective, all were normal. A detective going in a car with the windows dirty, concerned for giving news to the father, asking a police officer, are all examples of normal.

Precisely for that normally I am talking the film is masterful. Because of a short, simple story with three characters, it triggers a brutal reflection on what level it is to live on the unsuitability of some people is that they are misfits, they are normally poor. And they try to save for, hopefully, buy a car, for example. Or go to beaches that one day they saw on TV.
And beyond that, I will say that this is even more remarkable due to the fact that no character is determined to show up as a misfit. There are artists, philosophers and adolescents (Slacker, Waking Life), nor are they Ghost post-world teens or drunks who are old finished a morning cartoons before gunpoint by a shotgun. They are normal people, sad and alone.

I read that Haneke and got these ideas in The Seventh Continent, but I have not seen yet. And in the absence of the trilogy hanekiana me, I can not comment further.

actors very well, so Debbie Doebereiner.

If you have not done Soderbergh, say it's independent film American.
As Soderbergh has made, I would say that is the true story particular to Lynch.

Rating: 9

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The Fountain. Darren Aronofsky. 2006

Yes, I saw the video. And I liked it.

Although Spain has not been released yet and do not know when it will, in emule you can find a screener somewhat comical, but decent.

in my life I had never followed the process of creating a movie as much as in The Fountain (except Timecrimes). After viewing Pi (1998), I was captivated by this young director, and when it opened Requiem for a Dream (2000), I was somewhat dissatisfied with both effective and less ideas (all very videoclipero).
was then discovered that Aronofsky had already script for The Fountain, as he spoke of the possibility that a version of Batman rolled called Year Zero, which I think is the version that has since proved to be Batman Begins, Nolan.
This version of the script was titled The Last Man, and had to be shot with Brad Pitt and Cate Blanchett (Brad was left very long beards at the time), but failed in its inception by two things: the main players and called for a millionaire film's budget was huge (more than 40millones of $). And the film
stalled another couple of years. And my joy at a well.
on the script I had read the argument then aintitcoolnews (hardly been altered) and found that Aronofsky set out to do a graphic novel as a pseudo-prequel to the film.
This time the issue came forward, but with half the budget, and two new actors Hugh Jackman and Rachel Weisz (Aronofsky's wife now).

The story is told in three outbreaks. In 1500, a English conquistador that part to America in search of the tree of life that the Bible speaks today, a medical researcher trying to get a cure for cancer that is killing his wife and in the year 2500 a man bound to a tree in the middle of interstellar space.

The connection between these stories is the depth of the film, and the point where tastes may diverge. The problem is mísitica behind all of it, the desire for absolute. When looking for answers, the men of each story (which are the same and are called as Thomas, Tom), seeking the Truth. I think this movie is beautiful lyrical pretentiousness shown with a very nice plastic. While that same resource, sometimes resulting in a phantasmagoria gooey and full of bright faces. It lacks simplicity. A face blurred by the excessive light crap saying the protagonist of love not a dramatic tone, but a sappy view of a scene that could be precious: the fates words of a woman who is dying in the arms of her husband, the Frankenstein myth, guilt ... But that is missing.
Medieval history is something allegorical and away from any credibility or details of reality. We have two, three people at most, overshadowed by its bright halos and grandeur of his words, but do not have a door opening, a move away or something.

On the other hand, the history of the future is strange. It becomes a metaphysical reality that makes the above realities into fantasies of a man traveling in a bubble toward the star Xibalba. A search for the ultimate answer, and the good of the film is that this answer is simple and ambiguous at the same time (not desvelaré here.)
Overall, the story boils down to the passage of life, whether at the time it is, is nothing but a search of supreme love, mortal, and at the same time, timeless.

Hugh Jackman is doing very well. I think it's an actor to take into account and noticed his theatrical training (facial appreciate their records as to mourn). By contrast, Rachel Weisz is just a pretty face (here not seen her beautiful body), and Ellen Burstyn plays a role as secondary or can be value.
Aronofsky's direction is weak, because in many instances is reduced to shooting games (Libatique) and pictorial effects (not digital because they are made with manual techniques based on liquid).

Ultimately, it is a simple story while great, is told with much fanfare, where the real protagonist is the tree of life, but love.

And the soundtrack, outstanding. Since Pi, Clint Mansell had not done anything like it. Away here in the electronic rhythm, the Kronos Quartet him overboard, grazing at certain times, post rock and other pure classical symphony orchestra.


Rating: 7

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Marie Antoinette. Sofia Coppola. 2006

One of the greatest movies I've seen empty in a long time. The argument is null, so what you see on screen is pure and simple device. Is an achievement ribbon, and the costume design is masterful, and the fact that it is filmed in the very Palace of Versailles brings greatness to the result.

is a story without drama, and look at the life of this woman had to have chicha, but nothing.
If Lost in Translation (2003), the hijísima, had achieved a great film combining a beautiful script and a perfect actors for it, and talk about the displacement of people in the world, from the isolation in the world of ideas, now becomes ambiguous lack of substance.
do I mean. A show instead of a character, every time it shows the transition of the character, not its progress or status. Marie Antoinette is a bland character. So much so, that for 45 minutes are not taken up any of the trifle and pusillanimity of King Louis XVI, the husband of Antoinette, who seems to be gay, and only show it as dull. Very good performance from Jason Schwartzman. Kirsten Dunst meets and point, while Richard Coogan makes furniture, because his role is that. When
Transition talk I mean the movie comes down to it, to scenes of chariots which sees Kirsten Dunst with her head on the glass looking at the scenery while hearing a song by Air, The Radio Dept., or Belle and Sebastian. Sometimes the soundtrack is a crime because of this, by contextualization. It's kind of A Knight's Tale modernilla version.

The best part of the soundtrack is the real soundtrack, composed by Dustin O'Halloran for the routine sample. There
vacuous gossip, any intrigue, except at the end horns that even beyond, there are revolutions that do not even appear.
A crime I think that summarizes the history in the last 5 minutes, incomplete, and simpletons.
If the film had done Disney, had been another Princess Diaries, or films of those where he now has to leave Julie Andrews, but as it has done Sofia Coppola, who knows about fashion and listen to the Strokes, have an awesome movie period and very stylish.
No, we do not, we have a long and slow music video, which reveals the beauty of the images and because a song is worth it.
And on staging so empty of meaning to be nothing behind.

is the opposite of The White Balloon, Panahi, criticized here without going any further. There the story was all-even as very simple, whereas here it's all facade.

Rating: 4

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REVIEW in the newspaper El Mundo

The first time someone is set on this blog and will be one of the world.
This occurred on 22 December last 2006.
must say that this is the Catalan edition, and I've seen the review time after the newspaper publication and free access hangs in the news a week later.
So the illusion that you imagine me doing this. If someone has noticed what I wrote and also praise him.

copied it here:

's Blog angry boyars

http://boyardosenfadados.blogspot.com. If a boyar is a Mr illustrious, ancient feudal lord of Russia and Transylvania ', we can conclude that it is competent to rule, from his stronghold, the wonders of B movies or whatever comes in gana.Ecléctico like few others, this space where the cinema is the King of the Festival brings together the 80 Iranian directors, the first film by Fritz Lang, the film that launched the term gore and strange piecillas value as the Death Race, with Stallone. Everything from a genuine point of view, direct and euphemisms. So glad. / EB

Link here

With EB

Best Vintage Polariod Camera

Heroes. Tim Kring. 2006

me as a person not much given to soap operas. I do not like it's hooked to something, seeing arguments exist for an hour and tell me To be continued ...

That is why I do not see Lost or Prison Break , for example. Because I know there are a thousand subplots that lead nowhere, everything is stretched because the audience is high and because each twist that is given is a step towards emptiness, or what is the same, the soap opera.
I always thought that a series that claims to be good is to settle a story in one or two episodes, and keep a record of argument supported by full stories that enrich the characters and make them grow as the viewer becomes familiar with them.
This is why series like Band of Brothers seem masterpieces. Or not go further, current mood jewelry as The IT Crowd or Studio 60 on the Sunset Strip (the latter of Aaron Sorkin ).
esforcéis you to look not at what the given channel. You have to pull emule (wrongfulness holy) and download them with impunity with subtitles (there to give and take because so many people hooked).
So with these references, I searched for information sobre series actuales anglosajones y decidí que Heroes pintaba más que bien. Por ello, me descargué los 11 primeros episodios que vi colgados en el emule (el 12 se emite en USA el 22 de enero, pero se puede ver aquí el trailer). Me puse a ver el primero y me gustó, quise ver más, y eso que cada capítulo es de los de To be continued... , pero me dio igual, caí prendado de su estética y sobre todo de su ritmo.
Madre del amor hermoso, -me dije- ¡Es increíble lo que estoy viendo! Es una serie de gente con poderes, que no los usan para salvar a nadie, sino que ni saben que los tienen, y que se dedican a sus vidas cotidianas. Y es en ése avance de descubrir power and the plot based on the certainty of a nuclear explosion in New York, where characters appear tremendous. There are actors
adorable and others who would be put to jail how badly they do, and stories, with one exception salvageable, are sublime. All give you the impression of being the center of the argument, but you know that every story has to intertwine with others, and that none predominates, that the superpowers have jointly developed must somehow, and does not happen exactly like that, but "destiny" as they say all the time, I found it and walk away the same way. On the other hand, review the question of good and evil, which is the engine Chief of the story, hinting all along that we thought well maybe not so much, and vice versa. Or not, but as to sow doubt in the viewer, the argument we make, because you want to know what comes next and what stories will happen to everyone.
And best of all is that everything fits, and nobody even remotely suspect, what can happen in the next chapter.

Finally, talk about the most adorable of all, Hiro Nakamura (Masi Oka ), the typical Japanese poor fellow, he discovers in the first chapter that can move through spacetime, and as Japan is a typical computer, known as comics, and it says it has to use his power to do good. Well ... Not always hehe. And remember this is a message from the future: Save the cheerleader. Save the world.


Only with that sentence, who does not want to at least see the beginning of this series so sublime.


Note: In Spain, will begin airing in February on Sci Fi Channel .

More information: www.heroes-spain.com

Rating: 10