original title The Boondock Saints, the film becomes something of a moral interpretation of what is to be social justice. We come to give an idea of \u200b\u200bwhat most people think about the good, the bad and the solution to the latter. Two types kill the bad guys because their moral convictions (some males ultrarreligiosos) so require.
types in question are Sean Patrick Flanery (I've only seen his role in the Masters of Horror 1, Carpenter) and Billy Connolly. And Willem Dafoe making out gay detective (best bed scene with a young Adonis, where there is so much chemistry that seems a sequence shot by José Luis Moreno).
A peculiar thing appears in a supporting role Ron Jeremy (the famous porn star) by the Italian mafia evil.
With these overtones, and one can imagine that the tape is not very dignified.
choreographed action with camera rotations that make one dizzy, and above all an aesthetic telefilm you devouring the innards from the inside. Moreover, making the effort to try to mentally visualize this film, I can not. No where to take bent expressions.
There graces have nothing of grace, since they are based on mere repetitions of "fuck" and shows of toughness "those bastards will pay lol.
The strong point here is religion. They say fighting a mission from God expressly commanded by God. That is where lies the joke of the matter because, before killing her victims evil, they released a string biblical and open fire. What is not realized is that the Pulp Fiction director has seen many people, and doing so in a mediocre film like, does it become even more mediocre.
the end, after the murder of the villain, the press is responsible for asking the wrong people about the attitude of the protagonists. No surprise to you the use of that resource (and rigged so mean) when we all know the American belief in an eye for an eye.
Rating: 3
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